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It may not seem like it at first, but glass is technically liquid. Set in a more pourable form than heat, it cools to move slowly but surely – you can still see this effect in antique stained glass windows. Modernity and antiquity are often placed at opposite ends of a spectrum, difficult to reconcile equally. of Bochi 14p collapses this distance. At once the sphere of a mystic and a rigorously resolved industrial object, the portable light straddles the line between the magical and the practical—an approach that has helped it stand out in the increasingly crowded category of portable lighting.
This success, however, is no accident. As production costs continue to rise across the design industry, Bocci has openly acknowledged its shrinking audience. The 14p comes as a deliberate counterpoint—a more accessible entry into the brand’s universe, designed to reach younger collectors and first-time buyers without diminishing its experimental ethos. Rather than simplifying the object, Bocci reframes accessibility through portability itself: a piece that can move smoothly into everyday life, bringing with it the same material richness and conceptual depth as its predecessors.
Generously thick glass creates unique refractions of the world on the other side of the light, blending and distorting the environment. A warm glow extends from within, with the upper hemisphere almost reading like a tea light suspended on a wet edge. The two halves fuse in the center, forming a precise plane upon which the light rests—creating a double refraction that gives the piece unusual visual depth. It’s an effect that feels both atmospheric and demanding, as if the object is quietly processing the space around it.
In a category usually defined by lightness and convenience, the 14p takes a quietly radical position. It includes weight—literal, material weight—as a design element, not a liability. The solid glass body resists the use often associated with portable lighting, instead offering a sense of permanence, durability and natural presence. It is less of an accessory and more of a small, mobile architecture — an object that insists on being felt as much as it is seen.
We can see it clearly: a lake of glass separating sea and sky, two hemispheres working as one. Bocci’s iconic 14 series, first presented in 2005, has now been freed from laces, expanding its vocabulary into a new typology without losing its essence.
When 14p is rendered in color, its tone deepens the warmth of the emitted light. Each semicircle remains unique, the result of hand casting processes that retain subtle irregularities. The light rests on a small base for directional positioning, while a subtle brass detail on the base marks the charging point – an understated intersection of craft and technology.
The 14 Series was Bocci’s inaugural release, and its enduring relevance speaks to the strength of its original concept. At a time when consumer culture often leans toward acceleration and obsolescence, Bocci continues to operate with a more measured, human-centered approach. Each piece is handcrafted, wired and hammered by hand — ensuring a level of quality and individuality that resists standardization. With the 14p, this ethos is extended outwards: a familiar form newly made mobile that expands its reach while maintaining the quiet austerity that defined it from the start.
To learn more about this and other creations from the brand, visit bocci.com.
Photo courtesy of Bocci.