“Shimmering Real” presents two Swedish designers in their prime


Although they work together through different means, Camila Ilievsky and Eva Zethraiou they have had quite a career. Over the past two decades, these two graduates of the HDK School of Design and Crafts in Gothenburg have developed alongside each other, both producing work focused on detail, process and artistry. And now, the report Shimmering Real: Perception and the Spaces Between at HB381on view through April 18, places their pieces in contemplative dialogue, with Iliefski’s soft, vibrant rugs a backdrop to Zethraeus’ sculptures that resemble fierce but friendly sea creatures.

Two people stand together in front of a shimmering, textured wall, surrounded by sculptural ceramic artwork resembling sea urchins and coral, creating a scene that feels both abstract and real.

An art gallery displays shimmering, colorful wall-mounted and sculptural ceramic forms on white tables arranged in two rows on a wooden floor, creating a scene that feels both abstract and real.

With a background in graphic design, Iliefksi uses color as the dominant language in her fiber pieces, where hues in various gradations and intensities mix and bounce off each other with gusto.

Colorful, abstract, textured rugs and organically shaped furniture bring a bright real touch to a gray floor and white wall in this modern interior.

A colorful, abstract fabric artwork with shimmering, organic wavy shapes and layered textures is placed on a white wall above a gray floor, creating a sense of real visual depth.

Her rugs look like living paintings (the exhibition’s curators draw comparisons to Kandinsky, among others), with their irregular borders and the undulating heights and depths of their piles. The latter result in bulbous, organic compositions that feel like surreal odes to clouds, plant life, and all things organic and prosperous. Iliefksi often uses nature as a starting point — landscapes, vegetation and surfaces of sea and sky.

Four colorful irregularly shaped rugs with shimmering realistic abstract patterns are placed on a gray floor.

A person uses an electric trimmer to shape a glittering, colorful carpet of various abstract patterns, bringing a touch of shimmering realism to the textured surface.

Zethraeus also looks to the natural world for inspiration. Her pieces look like they’ve been salvaged – in pristine shape – from some magical ocean floor. She counts marine life, Buddhist gardens and viruses as catalysts for her ideas, which take wonderful form on porcelain.

A woman in a studio works on a large textured ceramic sculpture. Shelves of paint samples and art supplies are visible in the background, capturing a sparkling real moment of creative focus.

A white ceramic vase with a matte finish and multiple rounded projections sits on a glossy white surface, its shimmering real texture creating subtle contrasts against the plain background.

He works meticulously on each sculpture, each element of which is cast by hand, the composition is assembled and then processed with numerous glazings and firings. The resulting works are both natural and artificial, striking a balance between the familiar and the completely new.

A close-up of sculptural objects resembling shimmering real sea anemones, with pointed, embossed shapes in shades of blue, white and black, each edge capped with a small metallic bead.

To see more work from the respective designers, visit camillailiefski.com and evazethraeus.se.

Photo by Joe Crumcourtesy of HB381.

Elizabeth Pagliacolo is the editor of Azure Magazine and the executive editor of Design Milk. Based in Toronto, he covers design at every scale, from the spoon to the city. Some of her favorite things, in no particular order, are Mulholland Drive (the movie and the place), burnt Basque cheesecake (preferably from Toronto’s Bar Raval), true crime podcasts (indistinct), and the sound of boots crunching through autumn leaves.



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