Bocci Fuses Blown Glass + Molten Aluminum in 93 Collections


Bocce just released it 93 collection in a spare Tribeca loft showcase, allowing the complex visual and visceral fixtures to carry their own. The multi-faceted studio and light brand – known for its experimental approach to material and production – developed the range of bespoke lighting by exploring what happens when molten aluminum is poured into hand-blown, ‘still hot’ glass vessels. The uniquely formed results are skillful demonstrations of what happens when two seemingly opposite forces merge.

Close-up of a dark, embossed object with gold flecks and irregular surfaces, with a curved groove and slit-like opening with light streaming through.

Close-up of a translucent brown soap bubble with intricate patterns and a bright light shining from the upper right background.

To the surprise of the creator—those manning the blowers and crucibles at Bocci’s Vancouver headquarters/factory—the combination turns out to be compatible. It is the successful marriage of innate elements, transformed together from primordial natural states into new proprietary paradigms. It’s all alchemy.

A group of abstract glass sculptures is displayed on a white platform in a minimalist gallery space with wooden floors and neutral walls.

“93 is a late work that emerged from a ten-year interrogation of the relationship between glass and metal,” says co-founder Bocci and Omer Arbel. “By calibrating their expansion rate, we were able to work with both materials without catastrophic failure. A thick-walled glass sphere is blown and the aluminum is cast by hand, creating a fluid metallic silhouette.”

A group of geometric amber glass sculptures displayed on a white platform in a minimalist room with large windows in the background.

An empty room with three large windows, a wooden floor, a metal globe lamp, a radiator and light pink curtains on the right.

For the end user, the hardened – but noticeably iridescent and typically variable – metal and clear glass work well together to contain the disembodied light. The effect is not merely decorative, but evidence of a new durable process and application that could be applied in endless ways.

A round glass pendant light with an orange glow hangs in front of two large windows in a weathered room with wooden floors.

“The light enters the glass wall and grazes the metal where they meet, expressing the act of construction in a single gesture,” adds Arbel.

A reflective spherical pendant light hangs near a window with sheer curtains in a room with weathered walls and wooden floors.

According to Bocci, hidden LEDs point down into the cavities and laterally through the glass walls, while the internal metal discs diffuse the light outward. Fully illuminated from within, the mediated spheres reveal their full temperament. the silent, almost petrified, imprint of heat, pressure and fire at work, driven by minimal but more controlled intervention. As a result, no two are alike.

Three metallic spherical pendant lights hang from a ceiling in a room with weathered, textured walls, a large window and a wooden floor.

Six spherical pendant lights hang in a row in front of weathered, textured walls and windows in an industrial-style room with a radiator and wooden floor.

Four reflective, spherical pendant lights hang in a row on a weathered, textured wall next to large windows in a minimally furnished room with wooden floors.

A series of spherical sculptures hang from the ceiling in an empty, sunny room with wooden floors and large windows.

A spherical, reflective pendant light hangs from the ceiling in front of a wall of peeling, textured paint.

A spherical glass pendant with orange and dark brown swirls hangs from a thin black cord against a neutral background.

Two broken glass jars with jagged edges are placed on a smooth, light and dark surface, the light highlighting their cracks and textures.

A broken glass jar with jagged edges sits on a surface, illuminated by light from the left against a dark background.

To see this and other works from the brand, visit bocci.com.

Photo courtesy of Fahim Kassam and Elliott Black.

Adrian Madlener is a Brussels-born, New York-based writer specializing in collectible and sustainable design. With a particular focus on themes that exemplify the best of craft-based experimentation, it is committed to supporting talent pushing the envelope across disciplines.



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