Maximilian Davis he no longer finds his footing Ferragamo. It has arrived. The Pre-Spring 2027 collection carries a confidence that signals something has been settled: a creative vision fully absorbed by the house’s codes, and a house that has absorbed it in return. The result is Ferragamo at his most coherent in years.
The starting point is a known area for Davisin the 1920s, but the approach is changing. Where previous seasons drew on its golden glamour FerragamoHollywood clientele, this time the focus turns to the everyday, casual and artistic circles that surrounded these starlets. The artists, the collagists, the surrealists and cubists that shaped the visual culture of the decade now inform forms and constructions alike. “What I appreciated was how linear everything felt in the work I was looking at. the combination of textures and colors“, he says Davis. “I wanted to see how we could be more referential about our inspiration.“
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This referential quality runs through every piece. Menswear silhouettes transition into womenswear with incredible ease, 1920s sportswear offers contrasting edges in tailoring and leather trims in nylon windbreakers, and drapes, fluid in form, are cut by graphic intersections. Prints that harken back to the house’s scarf heritage are disrupted by knife pleats, while gold lamé applied to drop-waist chiffon and washed georgette inset with sheer crepe speak to patchwork sensibility Davis has become the focus of the collection. “This season, I was also looking at the more casual piece of the period“, he explains.I always referred to the most glamorous places and SalvatoreHollywood clientele, so this time I wanted to look at day wear as well.” The shift away from the assured tailoring and drape of his evening wear Ferragamo Fall Winter 2026 Collection it is subtle but telling, an expansion of the record rather than a departure.
In accessories, the patchwork logic continues. The iconic Hug silhouette returns in leather and suede stripes, a new clean-cut bucket bag introduces stylish functionality to the line, and the Cara style has been reimagined in a new stretch silhouette with expanded dimensions. The Soft bag appears in glossy olive and tobacco leather. For men, a deconstructed reversible Gancini clip-on leather bag is lined in contrasting suede, a one-piece shoulder bag is crafted from dark Barolo leather, and the Hug comes in brown suede with a croco print.
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The shoes bring a new Gancini buckle flatform sandal, a leather stiletto with Gancini crossing the upper, and classic loafers and oxfords offered in both polished and embellished iterations for men.
